Our Heritage,
Our Collection

Celebrating the City of Greater Geelong’s Heritage in 100 Objects.

Geelong is a community of collections and collectors. The City of Greater Geelong holds a rich and diverse Heritage Collection of over 12,000 objects. Spread across numerous locations throughout the region, the collection reflects Geelong’s history as a vibrant and progressive city.

The oldest artefacts in the collection date to the 1790s. There are mayoral chains, industrial machines, extensive maritime and wool collections. There is an ever-changing outdoor collection, which includes both monuments and public art. There are even confiscated contraband items from the old Geelong Gaol – handmade tattoo guns, shivs and drug paraphernalia.

In April 2020 the City of Greater Geelong finalised the report Our Heritage, Our Collection that lays the foundation for caring for managing and providing access to this extraordinary heritage collection.

We have hand-picked 100 treasures from the collection curated by the themes: WaggasWarWool and Work. If you would like to see other themes or objects on this site, jump to the about page to find out more and let us know.

We have hand-picked 50 treasures from the collection curated by the themes: War, Wool and Work. In time, more Geelong regional treasures will be added. If you would like to see other themes or objects on this site, jump to the about page to find out more and let us know.

12,373
Objects in collection
6
Sub-collections
$ 27.71
Value of collection (in millions)
258,938
Owners of the collection (Geelong residents)
Geelong Maritime Museum

British Torpedo Gyroscope

This is a 1931 British Torpedo Gyroscope made of brass and steel. Most likely from the Royal Gun Factory in Woolwich, it supplied gyroscope to the Royal Navy through World Wars One and Two. The Gyroscope works to keep a fired torpedo aimed straight and towards its target. It has an additional wooden case for transportation that also contains instructions. The case is made from wood, foam, paper and ink. The box includes notched carvings for the gyroscope to sit in for the protection of the delicate instrument in transportation. The box is also designed to have a wall removed for the retrieval of the gyroscope, as shown in the accompanying images.

Date:
c1931
Dimensions:
300 H x 300 W x 250 D mm
National Wool Museum

Child’s Coverlet

This child’s coverlet was made from old blankets and clothing pieces with curtain and blanket backing. Maker unknown, from the Ballarat area.

Registration:
NWM - 1675
Date:
c1930
Dimensions:
1100 x 1500
National Wool Museum

Jacket

The wool for this jacket originates from two sheep many kilometres apart. The first fleece was shorn in Moree, NSW; the second in Beaufort, Victoria. The two fleeces were spun and woven by the donor’s mother, Marjorie Allnutt. The donor Philip Allnutt had a suit tailored out of this fabric at Ravensdale J & Son, 37 Swanson Street, Melbourne. They were members of the Master Tailors Federation of Victoria at the time.

Registration:
NWM-8252
Date:
1978
Dimensions:
750 x 550 x 50
National Wool Museum

Patons and Baldwins' Specialty Knitting Books

Patons and Balwins’ and many other yarn companies published kitting pattern books during the World War I and II containing instructions for articles of clothing carefully chosen to meet the requirements of the armed forces. Many of the articles of clothing were distributed by the Red Cross and Australian Comforts Fund.

Registration:
NWM - 4472 , 4471
Date:
c1942
Dimensions:
248 h x 188w
National Wool Museum

Ferrier Wool Press

Invented by Joseph Ferrier in 1866, the patent was purchased by Humble & Sons who manufactured and distributed them from their Geelong foundry. The Ferrier Wool Press was used throughout Australia, New Zealand and Africa. Sent out as a flatpack, the press was put together on the farm. This press was made by Humble & Nicholson in Geelong in 1890 and sold to Shanahan Brothers in Birregurra. A key feature of any woolshed, this wool press needed three people to tip over the wool filled top box before it was pressed into the lower box using the lever. It is an early example of Geelong’s long history of design, invention and manufacturing.

Registration:
NWM-2951
National Wool Museum

Child's Wagga Quilt

This homemade wagga was purchased from the Old Bank Auctions, Geelong on 2 December 2000 for $20.00. The regular size of the patchwork and the varying colours show that the fabric was most likely sourced from a disused men’s suit fabric sample book.

Registration:
NWM - 4053
Date:
c1930
Dimensions:
1070 x1560
National Wool Museum

Mr Stephens' Wagga

This wagga is made from men’s suits and coats, unpicked and sewn together. It was made by the great uncle of George Stephens. Mr Stephens was a mining engineer from 1885 to 1915 in Stawell, Main Lead (near Beaufort), Diamond Creek and Costerfield in Victoria. His last residence was at Bosterfield, where the Wagga was used as a bed quilt until the 1940s. Not just a maker of wagga quilts and an engineer, Mr Stephens was also a hero – in 1910 he saved the life of a blacksmith at Diamond Creek Gold Mine.

Registration:
NWM - 7350
Date:
C1890
Dimensions:
1500 x 1100
National Wool Museum

CSIRO Prototype Self-Twist Spinner

Spinning fibres was one of the first processes to be mechanised in the Industrial Revolution. It took many hours of hand spinning to supply the thread needed for the most basic treadle loom. The Hargreave’s cotton-spinning jenny, Crompton’s spinning mule and Arkwright’s water frame in the 1770s are early examples of man moving from hand to machine. Spinning machines have undergone considerable technical evolution. The CSIRO was a leader in this field in the twentieth century. In 1962 it improved on the traditional Spinning Jenny and, in conjunction with the Australian company Repco, produced the Repco Self-twist Spinner. This machine was 15 times faster at spinning fibres. Ten self-twist spinners were installed at Macquarie Worsteds in Albury in 1971. The machines, operated in a small air-conditioned room by one operator, had an output of 1,200 conventional spindles worked by three operators. The prototype of this machine is held within the National Wool Museum’s Collection.

Registration:
NWM-7352
Date:
1962
Dimensions:
1700 x 700 x 1800
National Wool Museum

Red Cross Crazy Quilt

This is a classic crazy quilt. Although not technically a wagga, crazy quilts took many of the ‘make do’ techniques of wagga quilt making. This quilt was made in Highton, Geelong. It is a double bed sized quilt in the classic ‘crazy’ style with extensive use of herringbone and feather stitching. The pieced style of the quilt, made from squares of patchwork, is similar to the style of quilts made by members of the Country Women’s Association (CWA). The women sometimes made a quilt as a group activity and this one was possibly a 1930s group creation.

Registration:
NWM - 3157
Date:
1930
Dimensions:
1500 x 2500
National Wool Museum

Geelong Football Club Jumper

This was the jumper of John Brown, who played 48 games for Geelong including the 1963 Grand Final in which he wore this jumper. Formed in 1859, the Geelong Football Club is the second oldest in the Australian Football League and one of the oldest clubs globally.

Registration:
NWM-5331
Date:
1963
National Wool Museum

Lucy Anderson's Rug

These are samples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into rugs in the early 1960s. Lucy’s rug shows that by 1960 the spirit of the wagga quilt and making do continued in the vernacular of Australian quilters.

Registration:
NWM - 7217
Date:
1960
Dimensions:
1652 x 1000
National Wool Museum

Green & Pink Wagga Filled with Jute Bags

This large wagga is made from fabric pieces that were handstitched together and lined with jute wheat bags. The fabric pieces are roughly rectangular and of various sizes. They are made from cut-down pink and green cotton knit garments. The wagga was once described by early collectors as the ‘world’s worst wagga’. Today, it is considered one of the most significant waggas in the National Wool Museum’s extensive collection. Unfortunately, very little is known about the maker of this wagga.

Registration:
NWM - 6593
Date:
c1930
Dimensions:
1700 x 1920
National Wool Museum

Patchwork Quilt

This turn-of-the-century English quilt is made from tiny hand-worked patchwork squares reminiscent of medallion style quilts. It is an extraordinary example of early quilts that arrived in Australia with immigrants. The maker is unknown. When it was found it was being used as packing material. The form and the aesthetic of this classic European quilt demonstrates the stark contrast with Australian wagga quilts. Through the difficult times of the 1890s and 1930s the wagga became a uniquely Australian form.

Registration:
NWM - 1683
Date:
c1900
Dimensions:
1520 x 1520
Council Art & Artefact

Parking Signs

These parking street signs from the 1960s are very diffrent to their modern-day counterparts. They spell out their entire messages whereas modern equivalents use only a few letters and numbers to display the same message. Made from yellow and black painted steel, these signs are heavy but easy to read.

Date:
c1960
Dimensions:
1200 H x 450 W x 450 D mm
Geelong Maritime Museum

British submarine periscope tip

Geelong has a special relationship with submarines. Osborne House in North Geelong was the home of Australia’s first submarine fleet. From 1919-1922, it housed the 6 J Class Submarines gifted to the Australian Government by the Royal Navy. Several hulks of these submarine still survive in Port Phillip Bay. After being decommissioned due to their cost and the economic struggles of the time, four of the boats were scuttled off Barwon Heads. The two other boats were sunk and utilised as breakwaters.

Registration:
GNMM
Date:
c1915
Dimensions:
300 H x 150 D x 150 W mm
National Wool Museum

Squatter: The Great Australian Game

Squatter is a wool themed boardgame. With more than 500,000 games sold in Australia as of 2007, it is the most successful board game ever produced in Australia. The National Wool Museum holds the original “Squatter” board game design package as well as several versions of all major alterations to the game, such as the change to decimal currency and an electronic version of the game.

Registration:
NWM - 7181, NWM - 6241, NWM - 6240, NWM - 6239, NWM - 6218, NWM - 6217, NWM - 6216
National Wool Museum

Child’s Cot Quilt

One of the earliest examples of a wagga quilt that exists in Australia. This quilt was made from reused patches and fabric scraps that were stitched together to create a warm covering for a child to sleep under. The quilt was made in Daylesford, but little is known about the maker or users of this quilt. As early as the depression of the 1890s, when times were difficult in Australia, making do became a way of life. The wagga quilt entered the list of uniquely Australian inventions that helped us survive through lean times.

Registration:
NWM - 1677
Date:
c1890
Dimensions:
800x1200
Geelong Gaol

Tricycle

The Geelong Gaol was proclaimed as a Training Prison from the 1950s and in this role was used to educate prisoners in various trades including printing, sign writing, painting, tailoring, brick laying and toy making. This tricycle was made by a prisoner in the 1950s.

Registration:
GGC 79
Date:
c1950
Dimensions:
460 h x 500 w
National Wool Museum

Suiting Wagga

This small woollen suiting wagga was machine stitched, backed with orange cotton and edged with brown navy and white striped braid. It shows how important old and disused suiting fabric was for quilt making during World War Two.

Registration:
NWM - 6596
Date:
c1940
Dimensions:
1080 x 670
National Wool Museum

Harry Walter Wilton’s Quilt

This quilt was made by Harry Walter Hewitt Wilton (1872-1950). Harry joined the Essex Regiment and served in the British Military in India and also served in the Second Boer War. He married the seamstress Mary Elizabeth in India in 1895. Harry was injured during battle and made this quilt as part of his rehabilitation. The quilt was made using woollen army singlets. Harry and Mary moved to a farm near Orbost, Victoria, in 1914. The quilt remained in the family until 2019.

Registration:
NWM-7826
Date:
c1899
Dimensions:
2100x1720
Public Art, Monuments & Memorials

Belcher Fountain

The Belcher Fountain was created by the Britannia Ironworks in Derby, England and presented to the town of Geelong by Mayor GF Belcher at the end of his term in 1874. This drinking fountain is a testament to the Temperance Movement that advocated the restriction of alcoholic drinks. The fountain is one of the oldest heritage objects in Geelong’s Outdoor Collection.

Registration:
GOC 2
Date:
1978
Public Art, Monuments & Memorials

I AM

The City of Greater Geelong has commissioned artist, Mark Cuthbertson to create this public sculpture celebrating members of our community who have a lived experience with disability. Drawing reference from powerful political and pop culture statements such as the 1968 Memphis black sanitation workers slogan “I AM a man”, and Helen Reddy’s 1971 anthem “I AM woman”, the work celebrates the empowerment of diversity in our society. Over 85 community members contributed to the artwork development in a series of workshops facilitated by the artist to inform the final design.

Registration:
GOC 309
Date:
2021
National Wool Museum

Jute Wheat Bag Wagga

The simplest form of wagga quilt is the jute wheat bag wagga. This wagga was made of several two-bushel bags hand bound together. Two rows of red jute and one of orange run the length of each side. Two holes have been mended with white string. Green, purple and black markings have been stamped into the bag. Although the maker is unknown, the size shows that this quilt was created for a child to sleep inside.

Registration:
NWM - 1672
Date:
c1900
Dimensions:
620 x 1020
National Wool Museum

AWU Shearers Ticket

The 1891 Shearers’ Strike was one of the most significant events in the development of the Australian Labor Movement. Barcaldine in Central Queensland was the location for much of this conflict. Graziers were attempting to negotiate agreements on individual stations that went against union rules including a reduction in shearers’ wages. Queensland pastoralists engaged Victorian “free labourers” or “scabs” to keep their sheds running while local shearers were on strike. The conflict required armed police to guard Victorian shearers as riots toke place and woolsheds burnt down. With both sides bearing arms, there were thoughts of a possible “Australian Revolution”. The conflict ended in June 1891 with rebel shearers regaining work, however, several of the strike’s leaders were sentenced to prison

Registration:
NWM - 2820
Date:
1901
Dimensions:
128 x 78 x 1